When was faultline choreographed

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Subjects Jeyasingh, Shobana. Modern dance -- Great Britain. Modern dance. View all subjects More like this Similar Items. Allow this favorite library to be seen by others Keep this favorite library private. Save Cancel. Find a copy in the library Finding libraries that hold this item OCLC Number: Notes: "Award-winning choreographer Shobana Jeyasingh's Faultline uses dance, film and a powerful score to create an atmospheric and perceptive insight into contemporary Britain.

Eight international dancers bring an armoury of skills from contemporary dance, Bharata Natyam and martial arts, whilst acclaimed soprano Patricia Rozario adds live vocals to the electronic sound-scape"--Container. Description: 1 DVD-Videodisc 32 min. The scene is haunted by the figure of soprano Patricia Rozario, who appears behind a screen like a ghost, her voice a keening banshee wail; on the screen itself a giant-size image of her sari-clad self rises like a spirit from a tomb.

Faultline was made, in part, in response to the London bombings of Jeyasingh noted a very public upsurge in unease around young Asian men, provoked by fear of terror. The source is Come Out , an early tape loop by Steve Reich which samples the police confession of young black American man; here, the score is intercut with a live vocal performance by beatboxer Shlomo.

The opening scene — in which a sliver of light scans a line-up of dancers, who then come forward in turn — has strong overtones of an identity parade. The result is mesmerising, like watching sound graphs on digital monitors: errant kicks spike the air like piercing high notes; dancers criss-cross each other like counter-rhythms; groups disintegrate into a kind a kind of choreographic white noise, or coalesce into waves and pulses.

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