The mist where is the monster from

In the novella universe, these creatures have pink, burnt-flesh colored skin and their eyes are on stalks protruding from their heads. They are attracted to light and they are Pterobuzzards main food source. These flying monsters have a lethal neurotoxin that causes massive swelling and suffocation within a few minutes. This neurotoxin kills Sally in the film. Squid-like tentacles that killed Norm in the storage room. The suction cups on the tentacles contain teeth which allow the suction cups to serve as mouths, consuming prey as the tentacles envelop it.

It is unknown what type of creature the tentacles are attached to, and although the behemoth is seen to have tentacles they don't seem long enough to reach the ground. When a tentacle is either severed or separated from the mist, it decomposes into a foul-smelling liquid in a matter of seconds.

A dinosaur sized, kite-like creature glimpsed flying through the mist. It only appeared in the novella universe. A large, green creature which resembles a grossly misshapen dragonfly with clear wings which lands on the hood of the Scout. Terror-pede is a huge centipede-like creature that has huge, claw-like antennas with red tips, supposedly from biting into something. It was seen crawling into the store a couple seconds after the Ptero-buzzards broke in the store's window.

It crawled over a person and bit off his head. David Drayton was stabbing it with a torch while his son was trapped in a corner and a Ptero-buzzard had him cornered. In the novella, they live in trees,while eating tentacles or tentacles eating them, preying on each other.

Compared to their novel counterparts, the Bugs were conceived to be more arthropod-like and dynamic. Gino Crognale and Jaremy Aiello sculpted the creatures in full size — 18 inches of length — and produced reference models in latex, fiberglass and vacuform that were also able to adhere to windows. Close-up versions with articulated head, eyes and mouth were instead mechanized by Jeffrey Edwards and his team. Burrell and Darabont with one of the reference bug creatures.

Hollow versions of the creatures — cast in latex — were filled with silicone, latex, tissue paper and UltraSlime — those stunt creatures were to be damaged, squashed, or otherwise destroyed. A heavy, hooked beak opened and closed rapaciously. As part of the ecosystem, the bug-like creatures are preyed upon by larger, pterodactyl-esque Monsters. Schoneberg, Broom, and Wrightson devised winged designs attempting to stray from generic dragon-like creatures.

In particular, flying vehicles from Star Wars served as inspiration for the creatures. The top wings were used for lift, the lower wings were for steering; and when it landed, the back wings folded back like a bird, while the front wings moved like a bat.

Shannon Shea paints the bird creature puppet. The maquette of the Monster was sculpted by Schoneberg. The same artist, with Aki Horohito and Steve Koch, devised a full-size animatronic with a wingspan of eight feet, maneuvered with a boom arm. The neck was on a four-way cable, so that could move side to side and up and down.

The jaw was a three-part mandible, radio-controlled. It had circular eyeballs on slight stalks, and we took a cue from nature to make it blink like a bird. We rigged a radio-control mechanism that pulled the eyes back through a silicone section in the head, and the weight of the silicone closed the lids around the eye. A hand puppet version was also built for insert shots, and dummies of the shot or charred creatures cast in silicone and polyfoam were constructed.

In post-production, most of the models were replaced with the digital versions. Real fire elements were filmed in the supermarket set to portray the burning creature set ablaze by Drayton. It was the size of a big dog. It was black with yellow piping. Racing stripes , I thought crazily. Its eyes were reddish-purple, like pomegranates.

It strutted busily towards us on what might have been as many as twelve or fourteen many-jointed legs — it was no ordinary earthly spider blown up to horror-movie size; it was something totally different, perhaps not really a spider at all. The spider-like Monsters first encountered in the pharmacy were initially designed by Jordu Schell in maquette form — in a configuration that closely followed the description from the novella.

Darabont, however, decided to stray from that design. We set up point A and point B where we wanted the web to go, then slid the web along and broke up the pattern to give it some noise. Darabont films the spider creature puppet for reference.

Prosthetic make-ups portrayed the victims of the Spiders, which are parasitoid and lay their eggs inside hosts. When the victim falls and the baby Spiders are released from his back, a practical dummy of the actor was filmed, with digital Spiders added in post-production.

It had claws. It was making a low grunting sound, not much different from the sound we had heard after Norton and his little band of Flat-Earthers went out. It was a low, scuttling thing, with big lobster arms.

A big maw opens, chomps down and then pulls away and leaves just legs dangling. It was as tall as a cliff and coming right at us. Those brown patches reminded me absurdly of the liver spots on Mrs.

One of its gray, wrinkled legs smashed down right beside my window, and Mrs. Reppler said later she could not see the underside of its body, although she craned her neck up to look. She saw only two Cyclopean legs going up and up into the mist like living towers until they were lost to sight. As the characters drive away from the supermarket into the mist, they see a gigantic six-legged creature walking by, unaware of their presence. The key climactic sequence from the novella was, in fact, going to be excised from the film adaptation — as Darabont had deemed it unnecessary.

Eventually, both Nicotero and Burrell convinced the director to insert it regardless. He showed the scene to Stephen King, and Stephen loved it. I talked about it with Bernie; and he did some sketches of this huge creature with a ring of tentacles around its head, a weird mouth and long, overlapping teeth. It had cockroach legs along its abdomen and six giant alien legs under that. The rod-operated creature was six-feet tall.

It seems to be larger than the Film version. The Behemoth has six double-jointed legs, each about 18 feet tall, hundreds of multiple-jointed appendages on its underside, and tentacles above its head. The Behemoth's size is estimated at over feet, larger than anything that ever lived on earth.

The Mist. The Mist novella The Mist film. Recent blog posts Forum.